Oil Paint Photoshop Effect — Free Download

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Do you get an error that the Oil Paint filter is not available when you try to run the \”Cartoonizer\” action? The above issues indicate that Photoshop CC and your graphics card do not work well together. When this happens, a number of Photoshop CC features become unavailable:. Click the Performance tab on the left.

Make sure the Use Graphics Processor button is checked:. Hit OK to close the preferences window. Restart Photoshop. If the issue persists, proceed to the next step:. Follow these instructions to reset the preferences.

If your graphics card is older than 4 to 5 years, then it is most probably not supported anymore in the latest Photoshop version. The same applies to non-dedicated graphic cards: in this case your computer doesn\’t have a separate graphics card, but the graphics processor unit GPU is integrated in the same chip with the CPU. You can check the list of unsupported cards here. Follow the steps below to find out the model of your GPU:. If you have a Mac, click the Apple icon at the top left of your screen and select the first option: About this Mac.

Your graphics card model is listed there. Re-download your products. Change your login credentials. Photoshop tutorials. Creative ideas. Documentation: products Documentation: freebies Contact us. Latest News from PanosFX. Customer panel Logout Re-download your products. OpenCL has been de-activated after the latest Photoshop update.

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[Aug ] Oil Paint Plugin photoshop plugin free download

 

You can quickly toggle the Preview option on and off by pressing the letter P on your keyboard:. Now that we know how to preview the oil painting effect, let\’s learn how to actually create it. The options in the dialog box are divided into two main sections. First, we have the Brush options Stylization, Cleanliness, Scale, and Bristle Detail which we use to adjust various aspects of the brush strokes. Below the Brush options are the Lighting options Angle and Shine which control the direction of the light source as well as the overall contrast of the effect.

We\’ll start by looking at the Brush options. But before we do, for the purpose of this tutorial, make sure the Lighting option is turned on checked. The reason is that without the lighting effects, we won\’t be able to see our brush strokes, which would make learning how the Brush options work a bit of a challenge. Also, with the Lighting options turned on, increase the Shine value which controls the effect\’s contrast so that you can clearly see the brush strokes in your image.

You don\’t need to crank it too high. I\’ll set mine to around 2. Again, this is just to make it easier for us to learn how the Brush options work. We\’ll come back to the Lighting options later:. The first brush option is Stylization. It controls the style of the brush strokes, ranging from a daubed look at the lowest setting to a very smooth stroke at the highest setting. If you drag the Stylization slider all the way to the left, to its lowest value 0. It will look like your image was painted by daubing the brush onto the canvas, giving it a rough and detailed appearance:.

As you increase the Stylization value by dragging the slider towards the right, you\’ll begin to smooth out the brush strokes. And if you drag the slider all the way to the right to the maximum value of For my image, I think something in between works best. I\’ll go with a value of 4. You may find that a different value works better for your image, but don\’t worry about getting it perfect.

You\’ll most likely want to come back and re-adjust things after setting the other options since they all work together to create the overall effect:. Here\’s what my brush strokes look like so far. At a more mid-range Stylization value, the strokes have a nice blend of smoothness and detail:.

The second brush option is Cleanliness. It controls the length of the brush strokes, ranging from short and choppy at the lowest setting to long and fluid at the highest. Short brush strokes give the painting more texture and detail, while long strokes give it a less detailed, cleaner look.

For this image, I think long, fluid strokes work better, but at the maximum Cleanliness value, they\’re too long. I\’d like to bring back a bit more detail so I\’ll lower the value to around 7. Again, a different value may work better for your image:. Here\’s what the result looks like. It\’s important to keep in mind that all of the options in the Oil Paint filter\’s dialog box are working together to create the look we\’re seeing, so this result isn\’t simply what we get by, say, setting the Cleanliness value to 7.

Cleanliness controls only one aspect of the painting the length of the brush strokes , but it\’s all of the options combined that create the overall effect:. So far, we\’ve learned that Stylization controls the smoothness of the brush strokes while Cleanliness controls their length. The third option, Scale , controls the size or thickness of the brush itself.

Use low Scale values for thin, fine brushes or higher values for bigger, thicker brushes. At the lowest setting, the strokes look like they were painted with a very thin, fine brush. Notice also that since thinner brushes tend to use less paint, we see a thin coast of paint on the canvas:.

Now, the brush strokes are much thicker as if a bigger brush was used. And, since bigger brushes tend to use more paint, the higher Scale value creates what looks like thicker globs of paint on the canvas as opposed to the thin layer we saw previously:.

I like the look of the larger brushes for this image so I\’ll keep my Scale value fairly high, lowering it from 10 down to The fourth Brush option is Bristle Detail. It controls the strength of the grooves created in the paint by the hairs in the brush.

At lower values, the grooves appear light and soft, becoming stronger and more pronounced as you increase the value. At the lowest setting, there\’s very little in the way of bristle detail:. Below the Brush options are the Lighting options. Even though there\’s only two of them Angle and Shine , they play a powerful role in how the overall effect appears. Before we can set the lighting options, we first need to enable them by making sure the checkbox to the left of the word \”Lighting\” is selected.

We\’ll look at why you might want to turn the lighting off in a few moments:. The first of the lighting options, Angle , controls the direction of the light source shining on the painting, which affects the direction of the shadows and highlights created by the paint.

To change it, simply click and drag inside the circle to rotate the dial. In my case, the image itself has a light source that seems to be coming from the upper left, so I\’ll rotate the angle to match it as closely as I can. For comparison, here\’s how the painting initially looked before changing the lighting angle, back when the light was coming from the lower right. Keep an eye on the shadows and highlights:. Here\’s how it looks after rotating the angle towards the upper left.

Some areas, like the white and yellow flowers near the bottom, appear to have lost detail after the lighting change, while others like the yellow flower near the center now show greater detail:. Finally, the Shine option controls the intensity of the light source, which affects the intensity of the shadows and highlights of the paint, not of the actual image. Setting Shine to its lowest value of 0 essentially turns the light source off, giving the effect a very flat look, while cranking it all the way to its maximum value of 10 usually creates shadows and highlights that are much too strong.

In most cases, a fairly low Shine value works best. For this image, I\’ll set my Shine value to around 2. Now that we\’ve looked at the lighting options and how important they are to the overall appearance of the brush strokes, why would you ever want to turn the lighting off?

But before we begin, please keep in mind that every image is unique, so the settings I will show you here should be taken as a basis for all of your images.

It may require some different values on each setting depending on your photo, but they will work on most of them. Turning your design into a realistic mockup could sound a bit harder than it actually is. In Photoshop, there are may different ways to make mockups depending on the object you want to place your desing, but today I will show you how easily you can place anything over a glued paper in Photoshop keeping all lights, shadows and textures to make your own realistic mockups for any of your pictures or designs that will take you less than 10 minutes.

Sign up for our mailing list and get new resources sent to your inbox. WeGraphics The Cooperative Community. But before we begin, and if you want to follow this tutorial exactly as described, please download the following free image from Pexels: Download Step 1 Open your image in Photoshop. Set the Radius to 2 and click OK. Step 5 Set the recently duplicated layer blending mode to Overlay.

Apply the following settings and click OK. Under Mode select the Anisotropic option and click OK. Step 16 Set the recently duplicated layer blending mode to Overlay. Read more. How to Wrap Text Around Objects in Photoshop Tutorials by Diego Sanchez As you may guess, there are a few different ways to wrap text around objects in Photoshop; you can draw paths, make manual selections, etc. How to Place Anything over a Glued Paper in Photoshop Tutorials by Diego Sanchez Turning your design into a realistic mockup could sound a bit harder than it actually is.

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Photoshop cc 2018 oil paint filter download.Adobe Photoshop

 
 

Your graphics card model is listed there. Re-download your products. Change your login credentials. Photoshop tutorials. Creative ideas. Documentation: products Documentation: freebies Contact us. Latest News from PanosFX. Customer panel Logout Re-download your products. OpenCL has been de-activated after the latest Photoshop update. Make sure all these settings are checked: Hit OK to close the preferences window. If the issue persists, proceed to the next step: 2.

Swaroop Creation. Post Content. Skinfiner 4. Skinfiner 4 free download full version. Offline Adobe neural filter photoshop free download. Please enter your comment! Please enter your name here. We\’ll look at why you might want to turn the lighting off in a few moments:.

The first of the lighting options, Angle , controls the direction of the light source shining on the painting, which affects the direction of the shadows and highlights created by the paint.

To change it, simply click and drag inside the circle to rotate the dial. In my case, the image itself has a light source that seems to be coming from the upper left, so I\’ll rotate the angle to match it as closely as I can. For comparison, here\’s how the painting initially looked before changing the lighting angle, back when the light was coming from the lower right. Keep an eye on the shadows and highlights:.

Here\’s how it looks after rotating the angle towards the upper left. Some areas, like the white and yellow flowers near the bottom, appear to have lost detail after the lighting change, while others like the yellow flower near the center now show greater detail:. Finally, the Shine option controls the intensity of the light source, which affects the intensity of the shadows and highlights of the paint, not of the actual image.

Setting Shine to its lowest value of 0 essentially turns the light source off, giving the effect a very flat look, while cranking it all the way to its maximum value of 10 usually creates shadows and highlights that are much too strong.

In most cases, a fairly low Shine value works best. For this image, I\’ll set my Shine value to around 2. Now that we\’ve looked at the lighting options and how important they are to the overall appearance of the brush strokes, why would you ever want to turn the lighting off? Quite simply, you would turn it off when you don\’t want to see the brush strokes! Why would you not want to see the brush strokes? Well, with the brush strokes visible, we get an embossed effect created by the shadows and highlights, with the paint looking as if it\’s layered on top of the canvas.

Turning the lighting off flattens the image, giving you a very clean, soft and smooth result. To turn the lighting off, simply uncheck the main Lighting option. This does not hide the entire effect created by the Oil Paint filter. It only turns off the lighting:. As soon as you turn the lighting off, your image will appear very soft and smooth. For comparison, here\’s the effect with the lighting turned on:.

And here\’s what it looks like with the lighting turned off. It still looks like a painting because much of the detail from the original image has been smoothed over. Yet without the shadow and highlight detail from the brush strokes, we get a much cleaner looking effect.

You may want to go back to your Brush options and change the Stylization and Cleanliness values if you\’ve turned the lighting off to adjust the smoothness of the effect. In this case, I\’ve increased my Stylization value from 4 to I\’m going to turn my lighting options back on and set my Stylization value back to 4.

When you\’re happy with how the oil painting effect looks, click OK in the upper right of the dialog box to close it and apply your settings:. Back before we applied the Oil Paint filter, we first converted the Background layer into a Smart Object. This allowed us to apply the filter as a Smart Filter. You\’ll be able to do this using only 2 layers and with the possibility of using not only text, but almost any kind of graphic quotes, logos, etc.

As you may guess, there are a few different ways to wrap text around objects in Photoshop; you can draw paths, make manual selections, etc. But with selection improvements in the latest Photoshop versions, things are becoming easier to make, and wrapping text around any kind of objects is now a 5 minutes task.

Today, I will show you how easily you can wrap any kind of text around any kind of object in Photoshop using the Select Subject feature, converting that selection to a Path and using that path to type your text and all you need is a picture with a good contrast between your subject and the background.

In Photoshop, there are many different methods to achieve certain photo effects. Usually the most well-known methods are provide good end results, but often those methods require you to use many different filters and layers. So today, I will show you how you can make a green moody look in Photoshop – One you can easily adjust even when finished. We\’ll get this effect by using just the Camera Raw Filter and a single layer.